首页 | 本学科首页   官方微博 | 高级检索  
     检索      

乾隆时期扬州剧坛与戏曲禁令关系考
引用本文:王军明.乾隆时期扬州剧坛与戏曲禁令关系考[J].玉林师范学院学报,2012,33(3):87-92.
作者姓名:王军明
作者单位:徐州工程学院人文学院,江苏徐州,221008
摘    要:乾隆年间戏曲禁令不断,但扬州由于家班班主商人的特殊身份和皇帝的庇护,戏剧演出不仅没有衰萎,反而借助于家班达到了它的峰顶,同时由于文人的广泛参与形成了重艺的演出格范,使扬州成为全国的戏剧演出重镇。但是,建立在商人高投入基础上的家班最终也因为商人的经济破产和文人的风流云散而日趋衰歇。

关 键 词:禁毁剧目  扬州剧坛  乾隆

On the Relationship between the Yangzhou Dramatic Circle and Opera Ban in the Period of Qianlong Emperor
WANG Jun-ming.On the Relationship between the Yangzhou Dramatic Circle and Opera Ban in the Period of Qianlong Emperor[J].Journal of Yulin Teachers College,2012,33(3):87-92.
Authors:WANG Jun-ming
Institution:WANG Jun-ming (College of Humanities, Xuzhou Engineering Institute, Xuzhou, Jiangsu 221008)
Abstract:In Qianlong dynasty, opera was banned constantly. But, Yangzhou family opera groups thrived rather than declined thanks to their special social identity--merchant and the emperor's asylum. Yangzhou was once becoming an important national theatre town when the family opera groups reached its peak and attracted many literati's extensive participation. However, Yangzhou family opera groups, which mainly relied on high investment of families, were finally decayed with the merchant class's bankruptcy and the declining of the literati.
Keywords:opera ban  Yangzhou dramatic circle  Qianlong
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号