| 浅谈电视散文的声画特性 |
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| 引用本文： | 吴俊凤,季强.浅谈电视散文的声画特性[J].中州大学学报,2003,20(4):50-51. |
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| 作者姓名： | 吴俊凤 季强 |
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| 作者单位： | 中原工学院,广播影视学院,河南,郑州,450002 |
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| 摘 要： | 电视散的声画特性在于把字这种抽象化的符号进行具象处理，并且创造出一种境界。用电视化的手段，以全新的科技意识、全新的思维方式、全新的语言形态进行艺术创作是其关键。
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| 关 键 词： | 电视散文 声音 电视画面 具体化 抽象化 |
| 文章编号： | 1008-3715(2003)04-0050-02 |
| 修稿时间： | 2003年4月20日 |
A Brief Talk on Sound and Frame Used in a TV Prose |
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| WU Jun-feng,JI Qiang.A Brief Talk on Sound and Frame Used in a TV Prose[J].Journal of Zhongzhou University,2003,20(4):50-51. |
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| Authors: | WU Jun-feng JI Qiang |
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| Abstract: | The character of sound and frame in a TV Prose lies in that the abstract sign of language has been transferred concretely by the way of television which creates a philosophical spirit. Therefore the essential part of the Sound and Frame is by the means of television,the new scientific consciousness,the new mode of thinking and the new language formation produces an art creation. |
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| Keywords: | concreted frame abstraction televisionize |
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