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戏曲电影身份认同及其文化自强研究初探
引用本文:王中云.戏曲电影身份认同及其文化自强研究初探[J].上饶师范学院学报,2014(5):62-65.
作者姓名:王中云
作者单位:江西财经大学人文学院,江西南昌330013
基金项目:江西省高校人文社会科学2013年度项目“戏曲电影身份认同的文化自觉研究”(YS1309)阶段性成果
摘    要:在中国艺术史上,戏曲电影是古老悠久的戏曲艺术与西方"舶来品"的电影艺术相结合的新生事物。诸多有关戏曲电影的研究站在现实的立场上,采取了不同的视角,为探讨戏曲电影涵蕴中华传统审美文化的身份认同提供了思想资源。但是,迄今为止,较少有学者发表关于戏曲电影身份认同及其文化自强研究方面的学术成果。为此,戏曲电影身份认同及其文化自强研究亟待全面、深入、系统地展开。创作、研究、发展、繁荣戏曲电影,必将为推动中国电影文化走向世界,为构建世界多元电影文化做出积极贡献。

关 键 词:戏曲电影  身份认同  文化自强

A Preliminary Study of Traditional Opera Movies Identity and Its Cultural Self -improvement
WANG Zhong-yun.A Preliminary Study of Traditional Opera Movies Identity and Its Cultural Self -improvement[J].Journal of Shangrao Normal College,2014(5):62-65.
Authors:WANG Zhong-yun
Institution:WANG Zhong-yun ( School of Humanities, Jiangxi University of Finance and Economics, Nanchay Jiangxi 330013, China)
Abstract:In Chinese art history ,the traditional opera movieis a combining ancient opera art and western “import” film art .new things .A lot of research ,from a realistic standpoint and different perspective ,provides thought resources for exploring traditional aesthetic culture identity contained in the traditional opera film .So far ,relatively few scholars have published their achievements of the studies on traditional opera film identity and its cultural self-improvement .Therefore ,It is necessary to carry out a deep ,com-prehensive and systematic study cn them .Creation ,research ,development and prosperity of Chinese traditional opera movies ,will promote the Chinese culture to the world and contribute actively to the construction of diverse film cultures in the world .
Keywords:traditional opera movie  identity  cultural self-improvement
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