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西藏杂技艺术产生与发展探讨
引用本文:丁玲辉,阿旺晋美.西藏杂技艺术产生与发展探讨[J].西藏大学学报,2012(4):97-102.
作者姓名:丁玲辉  阿旺晋美
作者单位:西藏大学中国藏学研究所,西藏拉萨850000
基金项目:2012年度教育部人文社会科学研究基地重大项目“西藏传统杂技艺术研究”阶段性成果,项目号:12JJD780001
摘    要:西藏杂技作为一门古老的肢体表演艺术,在吐蕃时期就广为开展了。研究认为,在西藏历史上产生了与民族性格相一致的杂技艺术,桑耶寺、古格遗址、大昭寺等寺院壁画描绘了技艺超绝的杂技和乐舞演出的情景。吐蕃和唐朝的文化交流对西藏古代杂技艺术的发展起到了积极的促进作用。对西藏传统杂技的挖掘与整理研究,是传承中华文明、繁荣社会主义先进文化的重要举措。

关 键 词:西藏杂技  艺术  发展

Discussion on the Formation and Development of Tibetan Acrobatic Art
Institution:Ding Linghui, Ngawang Jigme(China Tibetan Studies Center,Tibet University,Lhasa,Tibet 850000)
Abstract:Tibetan acrobatics,a type of physical performances with a long history,had already become very popular as early as in the Tubo Dynasty.Some studies suggest that Tibetan acrobatics have been developed with Tibetan national character in the history of Tibet.The scenes of extraordinary acrobatic performance and dances are depicted on the murals of Samye Monastery,the Site of Ancient Guge Kingdom,the Jokhang Temple and other temples.The culture exchange between the Tubo and the Tang had played a positive role in the development of ancient Tibetan acrobatics.It is an important act to discover and study the acrobatics so as to contribute to the heritage of Chinese civilization and the prosperity of advanced Socialist culture.
Keywords:Tibetan acrobatics  art  development
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