从《四世同堂》看40年代儒家文化的断与流

儒家文化作为中国传统文化的重要组成部分,在20世纪初曾如洪水猛兽般地被搁浅在文学大门之外,但悠悠五千年文化不是一朝抽刀断水能够葬送的,于是在40年代,儒学以一种潜在的形式与文学接轨.处于亚主流状态的作家老舍的长篇小说《四世同堂》典型地反映出儒家文化在40年代这一特殊“夹生“时期的“断“(批判与割裂)与“流“(继承与发展).中国优秀的传统文化不会在现代文化、西方文化的冲击下总是处于一种自我消解的被动状态.

Form Si Shi Tongtang to Explore the Breaking and Flowing of Confucianism in 1940s

The Confuianist culture takes the China tradtional culture important constituent,like the disasters are rejected once in the 20th century outside the literature front door.But the five millennium long culture is not a dynasty which draws a sword to cut off the water supply can ruin,therefore we again saw in 1940's Confucianism again connect rails by one latent form with literature.This paper wants to be at the hypo-mainstream condition form Laoshe such one can better reflection 1940's this kind of special the half-cooked real condition writer explored the Confucianist culture to the breaking and flowing.Simultaneously also hoped the China outstanding traditional culture can not under the West culture impact,always be at self-resolution and passive condition,let our culture no longer silence .