从禅宗兴起后中国画意境的特点来看禅宗对中国画意境的影响

禅宗的审美意境是中国画意境追求的三大来源之一。禅宗兴起以前，中国画主要受儒家和道家的审美意境的影响。受儒家影响的中国画带有社会性、伦理性、政治性的特点；而道家传统中的中国画则追求纯自然主义的审美意境。禅宗得以广泛传播后，中国画的审美意境呈现出了哲理化、深沉化、个性化、情感化等特点，形成一种纯粹的审美意境。禅宗的兴起，深刻地改变了中国画创作主体的审美心理结构，对中国画的审美意境产生了根本性的影响。考察禅宗对中国画意境的影响，可以影射出当今中国画面临西方画强烈冲击的困境之出路。

On the Influence of Chan Sect on the Traditional Chinese Painting Art from the Perspective of its Characteristics after the Rise of Chan Sect

Chan Sect is one of the major sources to the pursuit of traditional Chinese painting art for the image and stage of art. Before the rise of Chan Sect, the traditional Chinese painting art mainly is irfluenced by the aesthetics of Confucianism and Taoism. With the impact of the Confucianism, the Traditional Chinese painting art presents characteristics socially, ethnically, and politically; while with the impact of the Taoism, the traditional Chinese painting art pursues the aesthetics of Naturalism. However, after Chan Sect is widely spread, the philosophical, profound, individual and emotional characterisitcs are demonstrated in the aesthetics of the traditional Chinese painting art, so that a kind of pure aesthetics is formed. The rise of the Chan Sect profoundly changes the psychological structure of aesthetics of the creation subject of the traditional Chinese painting art and the influence is fundamental. The research on the influence of Chan sect on the image and stage of art of the traditonal Chinese painting art can reflect and point out a way out of the difficulties of the traditional Chinese painting art caused by the western painting art.