朱光潜《文艺心理学》的现代性阐释

20世纪30年代的朱光潜以其深厚的学养与宽阔的眼光构建了在当时显得既“落伍”又“超前”的美学理论，他以一种综合性的方法论，坚持从审美主体出发，从心理学和美学的角度进入，形成了注重直觉的审美经验的文艺批评观，开辟了有别于“反映论”的另一条现代文学批评理论之路。同时在中西的融会中，通过“圆形结构”认知模式对中国传统美学观进行“创造性转化”，从而为中国现代文艺美学体系的建立作出了自己的贡献。

Modern Interpretation of Zhu Guangqian's Literary Psychology

In 1930s, Zhu Guangqian with his high academic achievement and broad perspective constructed the ＂backward＂ and ＂advance＂ aesthetics. Using a comprehensive methodology and based on aestbetie subject, he founded the literary criticism that stresses intuitive aesthetic experience and opened up a new road of modern literary criticism which is different from the ＂theory of reflection＂. Meanwhile, in the cultural combination between Chinese and western culture, he conducted creative transformation to China＇s traditional aesthetics with ＂circular structure＂, contributing to the establishment of modern Chinese literary aesthetics.