| 直观与理性的交融:艺术民族志书写初论 |
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| 引用本文： | 何明.直观与理性的交融:艺术民族志书写初论[J].广西民族大学学报,2007(1). |
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| 作者姓名： | 何明 |
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| 作者单位： | 云南大学民族研究院 |
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| 基金项目： | 教育部人文社会科学研究基金,编号(05JA850007)。 |
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| 摘 要： | 在当代学术思潮和技术手段背景下,艺术民族志书写要整体把握研究对象的文化体系,确立尊重研究对象的学术态度,从文化持有者的内部眼界出发,综合运用书面书写和声像技术等多种工具,实现透过艺术行为体验与“深描”文化持有者的艺术经验的目标。
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| 关 键 词： | 艺术 民族志 艺术经验 文化持有者 体验 |
Perception and Rational in Harmony:An Initial Discussion on Writing Ethnography of Art |
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| HE Ming.Perception and Rational in Harmony:An Initial Discussion on Writing Ethnography of Art[J].Journal of Guangxi University For Nationalities(Natural Science Edition),2007(1). |
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| Authors: | HE Ming |
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| Abstract: | Under the contemporary academic trend and technological circumstances, writing ethnography of art should be based on an overall understanding of the cultural system of the subjects, respect for the subjects' academic attitudes, the perspective of the culture holders themselves, a comprehensive use of various tools including written language and audio-visual techniques. |
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| Keywords: | art ethnography artistic experience culture holders experience |
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