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后工业社会摄影与绘画的关系
引用本文:施燚.后工业社会摄影与绘画的关系[J].曲靖师范学院学报,2006,25(2):56-60.
作者姓名:施燚
作者单位:云南师范大学,艺术学院,云南,昆明,650222
摘    要:摄影与绘画历来有着千丝万缕的联系,尤其到了后工业社会,它们互相冲突,互相影响,又互相渗透,界限日趋模糊。后工业时代摄影与绘画的关系主要表现在三个方面:一是摄影的脱胎、发展及其现状始终受到绘画的影响;二是摄影的出现和发展对绘画的生态造成深刻影响;三是摄影与绘画以既联系又各自独立的关系共同构成了图像时代的视觉文化。

关 键 词:后工业社会  图像时代  现代艺术  后现代艺术  观看方式
文章编号:1009-8879(2006)02-0056-05
收稿时间:2006-03-10
修稿时间:2006年3月10日

Relation between Photography and Painting in Postindustrial Society
Shi Yi.Relation between Photography and Painting in Postindustrial Society[J].Journal of Qujing Normal College,2006,25(2):56-60.
Authors:Shi Yi
Abstract:There has always been a very close relationship between photography and painting,which is more obvious in the postindustrial society in which photography and painting collide with each other,interact on each other and at the same time interpenetrate with each other.Therefore,the distinction between the two is gradually confused.This photography_painting relation can be illustrated from the following three aspects:(1) In the whole process from its coming into being,evolution till its present existence,photography has all along influenced by painting.(2) The appearance and development of photography have exerted a strong impact on the existence of painting.(3) It is the interrelated and respectively independent relation between photography and painting that forms the visual culture of the times of picture and image.
Keywords:post industrial society  the times of picture and image  modern art  postmodern art  manner of watching  
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