| 三种《渔舟唱晚》版本之比较研究 |
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| 引用本文： | 张艳. 三种《渔舟唱晚》版本之比较研究[J]. 孝感学院学报, 2004, 24(5): 51-54 |
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| 作者姓名： | 张艳 |
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| 作者单位： | 孝感学院,音乐系,湖北,孝感,432000 |
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| 摘 要： | 针对娄树华、曹正和范上娥三位大师对同首古筝名曲《渔舟唱晚》的不同的演绎手法，从乐谱对比，乐器的差异，教育方式的差异，时代背景的差异几个方面进行比较研究，透视出20世纪不同历史时期民族音乐发展的时代轨迹。
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| 关 键 词： | 《渔舟唱晚》 古筝 比较 |
| 文章编号： | 1671-2544(2004)05-0051-04 |
A Comparative Study of Three Music Versions |
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| ZHANG Yan. A Comparative Study of Three Music Versions[J]. JOURNAL OF XIAOGAN UNIVERSITY, 2004, 24(5): 51-54 |
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| Authors: | ZHANG Yan |
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| Abstract: | The music masterpiece song of the returning boay was composed by Lou Shuhua,Cao Zheng and Fan Shange successively.They employed different creative tactics in the music composition.This paper has a comparative study of their music works from music books,music instruments,educational ways and social background of different periods,and presents the development orbit of national music in the last century. |
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| Keywords: | song of the returning boay national music comparion |
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