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《左传》伏笔艺术简论
引用本文:张翅.《左传》伏笔艺术简论[J].芜湖职业技术学院学报,2002,4(2):39-41.
作者姓名:张翅
作者单位:安徽师范大学社会学院,安徽,芜湖,241000
摘    要:《左传》不仅是一部史学名,同时也是以辞见长的优秀学作品,在我国古代学发展中外占有重要的地位,《左传》的作在谋篇布局时善于巧妙地蕴伏笔于记言和叙事中,并 通过占卜、梦境和天象、童谣等方式在前中埋下伏笔,前伏后应,用以 预示社会变化、时事动态以及个人命运的发展,使得整部作品脉络清晰、结构谨严,具有鲜明的艺术特色和独特的创作风格。

关 键 词:《左传》  伏笔艺术  谋篇布局  中国古代文学  写作技法  创作风格  史学著作
文章编号:1009-1114(2002)-02-0039-03
修稿时间:2001年12月3日

On the Art of Foreshadowing in the "Zuo Commentary"
ZHANG Chi.On the Art of Foreshadowing in the "Zuo Commentary"[J].Journal of Wuhu Vocational Institute of Technology,2002,4(2):39-41.
Authors:ZHANG Chi
Abstract:The "Zuo Commentary" is not only a famous historical work, but also an excellent literary work , which occupies an important place in the ancient literary history of China. The author applied the foreshadowing in the record of talks and events, and used divinations, dreams, celestial phenomena and children's folk rhymes to carry a foreshadowing of what is to follow later on in the story . The work is closely knit and presents its ideas in a clear , logical way for the art of foreshadowing.
Keywords:The "Zuo Commentary"  the art of foreshadowing  planning a composition    
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