道脱与哀实的舞台显出——试论中日古典戏剧中的“道”

“道”始终是在中日两国的哲学史上本土思想的最重要的体现，无论是中国的“道教”还是日本的“神道教”．都对文化文学的发展有着绝对的影响和制约。但是中日古典戏剧中对“道”的体现却不尽相同：中国以“道化度脱”为主题的神仙道化剧成为古典戏曲的一个重要分支；日本则主要体现在其戏剧中潜藏着的“真实物哀”的美学意境。深入研究这一课题是中日戏剧比较研究的一个重要的任务。

On theTaoism in Sino-Japanese Classical Dramas

＂Taoism＂ manifestates significantly local community thinking in the philosophical history of China and Japan. Both China＇s ＂Taoist＂and Japan＇s ＂Shinto＂ have the absolute impact and control on the development of culture and literature. However, the ＂ Taoism＂ in the Chinese and Japanese classical dramas is expressed differently. It is an important task to study this topic in the comparison research of Chinese and Japanese dramas.