| 对西藏文化建构中羌姆艺术发展模式的思考 |
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| 引用本文： | 项江涛.对西藏文化建构中羌姆艺术发展模式的思考[J].西藏大学学报,2009,24(3):66-69. |
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| 作者姓名： | 项江涛 |
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| 作者单位： | 中国传媒大学影视艺术学院,北京,100024 |
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| 摘 要： | 文章在社会主义核心价值体系建设的命题下，对西藏文化和谐建构理论中藏传佛教寺院仪式“羌姆”应该如何发展，从运作机制的内在拓展、现代化因素的注入、转变寺院传统主体地位的影响、实现区域文化的互动、加强意识形态的现代化等方面提出了新的模式构想。并陈述了新的发展模式对于西藏宗教现代化转型的时代意义：消解文化整合的内部消耗、确立文化转型共同的向度诉求和促使和谐建设中的文化自觉。
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| 关 键 词： | 羌姆 和谐建构 模式构想 |
Thought of the Development of Vcham Arts under the Construction of Tibetan Culture |
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| Xiang Jiangtao.Thought of the Development of Vcham Arts under the Construction of Tibetan Culture[J].Journal of Tibet University,2009,24(3):66-69. |
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| Authors: | Xiang Jiangtao |
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| Institution: | Xiang Jiangtao (Communication Uniyersity of China Beijing 100024) |
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| Abstract: | The paper, under the theories of socialist core value construction, brings forward some new pattern design concerning Tibetan Buddhism ritual vcham from the aspects of expanding the internal operating mechanism, infusing the modern factor, changing the traditional dominance of Tibetan monasteries, realizing the interaction of regional culture and strengthening the modernization of ideology. And it also states the significance of the modernization of Tibetan religion resulted from this new development pattern： sumption of culture conformity, establishing in the harmonious construction. |
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| Keywords: | vcham harmonious the common orientation and building up the construction pattern design eliminating inner concultural consciousness |
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