| 结构的两个支点：立体的美与稳态的美——读刘亚洲散文《恩来》 |
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| 引用本文： | 姜宇清. 结构的两个支点：立体的美与稳态的美——读刘亚洲散文《恩来》[J]. 浙江万里学院学报, 2001, 14(1): 77-78 |
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| 作者姓名： | 姜宇清 |
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| 作者单位： | 浙江万里学院文化与传播系，宁波 315104 |
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| 摘 要： | 大散文要包容广阔得多复杂得多的人生体验人间意绪，甚至可以负载历史、苦难、生命的沉重。《恩来》是大散文的优秀文本，其中体现的立体美与稳态美可看出大散文结构的两个主要支点。
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| 关 键 词： | 大散文 结构 立体美 稳态美 |
| 修稿时间： | 2000-10-20 |
Two Surporting Poles ofProse Structure: Stereoscopic Beauty |
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| JIANG Yu-qing. Two Surporting Poles ofProse Structure: Stereoscopic Beauty[J]. Journal of Zhejiang Wanli University, 2001, 14(1): 77-78 |
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| Authors: | JIANG Yu-qing |
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| Abstract: | great prose can not only cover more extensive more complicated life experience and human feelings, but bear the burden of history, hardships and lif e as well.“Enlai”is an excellent writing of such great prose in which stereosc opic beauty and static beauty are presented to help understand the two major surporting poles of great prose structure. |
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| Keywords: | great prose prose structure stereoscopic beauty static beauty |
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