| "借镜"的"幻化"——重读《社戏》的文化建构 |
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| 引用本文： | 任慧群."借镜"的"幻化"——重读《社戏》的文化建构[J].玉林师范学院学报,2007,28(2):1-4. |
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| 作者姓名： | 任慧群 |
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| 作者单位： | 邢台学院,中文系,河北,邢台,054001 |
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| 摘 要： | 《社戏》作为《呐喊》的最后一篇，与一个多月后所作的《自序》相合在何处？重读借镜日本文章与五四戏剧改良的《社戏》，叙述者在对中国戏的文化建构中，呈现出和《自序》在“寂寞”的“梦”的“幻化”与“经验”的“反省”之间态度的一致性。
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| 关 键 词： | 梦 反省 中国戏 文化建构 |
| 文章编号： | 1004-4671(2007)02-0001-04 |
| 修稿时间： | 2007-02-02 |
Transformation from Borrowed Mirror——Rereading on the culture construction of Folk Play |
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| REN Hui-qun.Transformation from Borrowed Mirror——Rereading on the culture construction of Folk Play[J].Journal of Yulin Teachers College,2007,28(2):1-4. |
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| Authors: | REN Hui-qun |
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| Institution: | Lecturer, Ph.D, Xingtai University, Chinese Literature Department; Xingtai, Hebei 054001 |
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| Abstract: | As the last episode of Luxun's novel Crying, in what way does Fork Play combined with The Preface, which was written a month later by him? Rereading Fork Play, which borrowed from Japanese novel and an innovation of the May Fourth plays, manner uniformity between the transformation in the lonely dreaming and the introspection from experience could be found. |
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| Keywords: | dream introspection Chinese play cultural construction |
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