郭沫若历史剧风格之嬗变

郭沫若历史剧以抒情、瑰丽的浪漫主义为基调，但前、中、后三个阶段的创作风格却有一定的差异。前期的诗剧更近于同期的浪漫主义诗作，但有的短剧还不成熟。中期的《屈原》是浪漫主义的巅峰之作，《孔雀胆》则是一部具有转型意义的作品。其后，写实因素在郭沫若历史剧的创作中，不断有所介入并对创作风格产生了影响。

On the Permutation of the Style of Guo Moruo's Historical Dramas

Though Guo Moruo's historical dramas have the central theme of lyric and surpassing romanticism, there are differences in his creation styles in different stages. His earlier stage' s creations have a more similarity to the other romantic works in the same period, yet some of them are not so perfect. In his middle stage, his masterpiece, Qu Yuan, is his representative work of romanticism; while the Peacock's gallbladder showed that his creative style is changing. From then on, writing realistically became getting involved in Guo Moruo' s creations and influenced his works' style.