| 藏传佛教密宗部造像艺术研究 |
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| 引用本文： | 刘峻. 藏传佛教密宗部造像艺术研究[J]. 西安联合大学学报, 2012, 0(1): 35-37 |
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| 作者姓名： | 刘峻 |
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| 作者单位： | 西安文理学院艺术设计系,陕西西安710065 |
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| 基金项目： | 西安市社科规划项目：西安庙会文化创意文化产业设计研究（11w132） |
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| 摘 要： | 藏传佛教的密宗造像艺术以其独特的造像风格和艺术魅力在中国美术史及中国民间美术史中占有重要的一席。通过对藏传佛教密宗部造像艺术的系统、深入研究,我们可以发现它是在保留了古印度、喀什米尔、尼泊尔风格深刻影响的基础上与藏民族自身文化相互融合,最终形成民族美术样式。
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| 关 键 词： | 藏传佛教 密宗 造像艺术 |
The Artistic Study of the Tibetan Buddhist Tantra Sculpture |
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| LIU Jun. The Artistic Study of the Tibetan Buddhist Tantra Sculpture[J]. , 2012, 0(1): 35-37 |
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| Authors: | LIU Jun |
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| Affiliation: | LIU Jun (Dept. of Art and Design, Xi＇an University of Arts ＆ Science, Xi＇an 710065, China) |
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| Abstract: | By its unique style and atistic charm, the Tibetan Buddhist tantra sculpture has an important a seat in Chinese fine art historiography and Chinese folk art history. Through a systemic and in -depth study, it is found that the Tibetan Buddhist tantric statues, on the one hand have been profoundly influenced by the style of ancient India, the Kashmir, Nepal, and on the other hand, are merged with their own Tibetan culture. |
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| Keywords: | Tibetan Buddhist tantra sculpture |
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