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青主《大江东去》音乐特色分析
引用本文:王珊铭. 青主《大江东去》音乐特色分析[J]. 韶关学院学报, 2008, 29(7): 157-159
作者姓名:王珊铭
作者单位:韶关学院音乐学院,广东韶关,512000
摘    要:我国早期作曲家创作的艺术歌曲,继承了德奥艺术歌曲的创作手法和风格特征,同时又结合了我国传统音乐特点与语言习惯,这一体裁的创作手法和艺术风格在我国的传播与发展是随着我国专业音乐创作队伍的形成而逐渐兴起的。青主的《大江东去》是我国早期优秀艺术歌曲的代表之作,体现了早期中西音乐交融之后所产生出的新音乐的艺术特征。他的成功创作所取得的艺术成就对这一西方声乐艺术体裁在我国的迅速传播、发展和壮大积累了宝贵的创作实践经验,在我国近现代音乐史中占有着重要的地位。

关 键 词:青主  艺术歌曲  大江东去  音乐分析

The Musical Characteristics of Qingzhu's the Yangtze Eastward
WANG Shan-ming. The Musical Characteristics of Qingzhu's the Yangtze Eastward[J]. Journal of Shaoguan University(Social Science Edition), 2008, 29(7): 157-159
Authors:WANG Shan-ming
Affiliation:WANG Shan-ming (Department of Music, Shaoguan University, Shaoguan 512005, Guangdong, China)
Abstract:The compositions of the earlier generations of composers in China are the combinations of style and characteristics of German and Austrian music with Chinese traditional features of music and language, and these combinations are developing with the formation of the team of professional composers in China. Qingzhu's "the Yangtze Eastward" is one of the representations of the excellent artistic compositions of earlier composers with such artistic features. Its achievements advanced with the precious experience in transmitting, developing and re- inforcing the western musical styles in Chinese music. Thus it is of great significance in the modern music history of China.
Keywords:Qingzhu  artistic compositions  "the Yangtze Eastward"  musical analysis
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