| 王小帅电影论 |
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| 引用本文： | 张先云.王小帅电影论[J].韶关学院学报,2007,28(5):67-71. |
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| 作者姓名： | 张先云 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 基金项目： | 安徽师范大学校科研和教改项目 |
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| 摘 要： | 王小帅是“第六代”导演的代表人物。他的电影以生活在现代都市社会边缘的“飘泊者”和“失语者”为主要表现对象,并以高度纪实化的叙事形态和个人化的视角形成自己的特色。但对精神价值的消解却是王小帅电影不容忽视的缺憾。
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| 关 键 词： | 王小帅 飘泊者 失语者 纪实性 个人化 |
| 文章编号： | 1007-5348（2007）05-0067-05 |
| 修稿时间： | 2006-12-24 |
On Wang Xiaoshuai's Films |
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| ZHANG Xian-yun.On Wang Xiaoshuai''''s Films[J].Journal of Shaoguan University(Social Science Edition),2007,28(5):67-71. |
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| Authors: | ZHANG Xian-yun |
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| Institution: | College of Chinese Language and Literature,Anhui Normal University,Wuhu 241000,Anhui,China |
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| Abstract: | Wang Xiaoshuai is a representative figure of the“sixth generation”of film directors.His films take drifters on the verge of modern cities and those who have no say in society as his objects of displaying.He has formed his own feature through highly investigative narrative form and his personal angle of view.The dispelling of spiritual value is the imperfection that cannot be overlooked in Wang Xiaoshuai＇s films. |
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| Keywords: | Wang Xiaoshuai drifters those who have no say in society mix of fact and fiction personal |
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