| 中国文人画与西方现代绘画之比较 |
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| 引用本文： | 雷黎明.中国文人画与西方现代绘画之比较[J].达县师范高等专科学校学报,2007,17(6):113-115. |
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| 作者姓名： | 雷黎明 |
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| 作者单位： | 四川文理学院美术系 四川达州635000 |
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| 摘 要： | 中国文人画的诞生早于西方现代绘画千余年，虽与欧洲各国的社会、历史及文化背景迥异，但在反抗传统观念、否定绘画技艺和强调“表现自我”诸方面却呈现出与之相通的共同特点。在粗略的比较中，中国文人画自身的特殊性及民族性闪烁着夺目的艺术光辉。
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| 关 键 词： | 反叛传统 张扬个性 否定技术 民族特质 |
| 文章编号： | 1008-4886（2007）06-0113-03 |
| 修稿时间： | 2007-05-21 |
Comparison with Paintings by Chinese Literati and Modern Western Paintings |
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| LEI Li-ming.Comparison with Paintings by Chinese Literati and Modern Western Paintings[J].Journal of Daxian Teachers College,2007,17(6):113-115. |
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| Authors: | LEI Li-ming |
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| Institution: | Department of Fine Arts, Sichuan University of Arts and Science, Dazhou Sichuan 635000, China |
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| Abstract: | Paintings by Chinese literati appear about a thousand years earlier than modern western paintings.Both of them obviously differ in their own social,historical and cultural backgrounds.But they have a lot in common in such aspects as the idea of rebel tradition,negation of painting techniques and self-representation.Roughly speaking,paintings by Chinese literati take on the brilliant artistic splendor with its particularity and nationality. |
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| Keywords: | rebel tradition individualization prominence negation technology nation feature |
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