| 藏族风格二胡作品演奏相关的技术和风格分析——以内地作曲家创作的四部二胡独奏曲为例 |
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| 引用本文： | 次央.藏族风格二胡作品演奏相关的技术和风格分析——以内地作曲家创作的四部二胡独奏曲为例[J].西藏大学学报,2014(1):151-158. |
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| 作者姓名： | 次央 |
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| 作者单位： | 西藏大学艺术学院,西藏拉萨850000 |
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| 基金项目： | 西藏大学教学研究与改革项目“基于实践教学的基础研究——藏族风格二胡作品演奏相关技术和风格分析”阶段性成果,项目号：XZDX2012JG14 |
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| 摘 要： | 文章对藏族风格二胡独奏曲《金珠玛米赞》、《洁白的哈达》、《北京有个金太阳》和《洁白的哈达》四部作品的创作背景、风格特色、曲式结构、演奏技法等进行了分析,提出对与作品演奏相关的音乐意象、表情、情绪控制等的准确把握也是演奏成功的重要因素.
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| 关 键 词： | 藏族风格 二胡 独奏曲 分析 演奏 |
Execution and Style Analysis of Tibetan Style Erhu Works——Taking Four Erhu Solo Works of Musicians from Mainland China as Examples |
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| Ci Yang.Execution and Style Analysis of Tibetan Style Erhu Works——Taking Four Erhu Solo Works of Musicians from Mainland China as Examples[J].Journal of Tibet University,2014(1):151-158. |
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| Authors: | Ci Yang |
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| Institution: | Ci Yang (Tibet University School of Art, Lhasa,Tibet, 850000) |
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| Abstract: | This article focuses on four pieces of Tibetan Style Erhu Solo which are Paean of the Liberation Army, White Hada （Scarf）, There is a Golden Sun in Beijing, and White Hada （Scarf）. This paper analyses the background, style of characteristics, musical structure, and playing techniques of these four pieces of music. It also proposes main factors, such as musical aesthetics, expression, control of emotion, that can help to grasp rhythm correctly and result in successful music performance. |
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| Keywords: | Tibetan style Erhu solo analysis performance |
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