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“戏中戏”裂缝的弥合——以莎剧《哈姆雷特》和皮兰德娄的《亨利四世》对比为例
引用本文:陈爽.“戏中戏”裂缝的弥合——以莎剧《哈姆雷特》和皮兰德娄的《亨利四世》对比为例[J].枣庄师专学报,2014(3):41-46.
作者姓名:陈爽
作者单位:中国传媒大学,北京100024
摘    要:剧场中舞台与现实的关系、演员与观众的关系,是剧作家热衷于探讨的问题。许多剧作家更将自己的思考融入实践中,创作了关于戏剧的戏剧,于是"戏中戏"出现了。如果说外面一层是外戏,里面那层是内戏,那么,内戏与外戏如何呈现?两者如何缝合?内戏又会对外戏造成何种影响?我试以莎士比亚的《哈姆雷特》和皮兰德娄的《亨利四世》为例,探讨这些问题。

关 键 词:戏中戏  叙述方式  反作用

The Bridge of the Rift in Play-Within-a-Play——Take Hamlet and Henry Ⅳ for instance
CHEN Shuang.The Bridge of the Rift in Play-Within-a-Play——Take Hamlet and Henry Ⅳ for instance[J].Journal of Zaozhuang Teachers' College,2014(3):41-46.
Authors:CHEN Shuang
Institution:CHEN Shuang (College of Liberal Arts, Communication University of China, Beijing 100024, China)
Abstract:The relationship of the stage and the reality, the actor and the audience in the theatre is a popular subject talked by the dramatists. Lots of dramatists applied their thoughts in practice. In this way, there appears the play - within - a - play. Let named the outer layer as outer - play and the internal layer as the inner - play, then in what way would the two plays present to us? Is there a rift between the two? How to close the rift? Would the outer - play influenced by the inner - play? I try to discuss these questions exemplified with Shakespeare's Hamlet and Pirandello's Henry.
Keywords:play - within - a - play  narrative form  counteractive effect
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