问题与反思——李泽厚实践美学初创及其文化内蕴探论

在当代中国美学思想史上,李泽厚实践美学的重要性是不容忽视的。我们以李泽厚实践美学的初创为研究对象,着重梳理了他这一时期关于美感、美和自然美三个基本美学问题的看法,并在此基础上尝试对李泽厚实践美学的初创及其文化内蕴进行深入反思和理性评价。由此我们认为,李泽厚实践美学的初创虽呈现出鲜明的哲学思辨性,但从深层的文化建构内蕴来看,它能在"美学大讨论"中独树一帜,并非如李所言是一种纯粹的学术现象,而是当时权力话语的一种折射,从而使得李泽厚实践美学的初创呈现出某种历史复杂性和局限性。

Problems and Reflections: On the Innovation and Cultural Connotation of Li Zehou's Practical Aesthetics

The status of Li Zehou can not be ignored in contemporary Chinese aesthetics history.We take the innovation of Li Zehou’s Practical Aesthetics as the research object,and focus on his thoughts on beauty sense,beauty and natural beauty in this period.On the basis of these analyses,we reflect Li Zehou’s Practical Aesthetics’ innovation and cultural connotation.Li Zehou’s innovation of Practical Aesthetics shows a distinctive philosophical speculation.In a sense of deep cultural connotation,that it can become an independent school in the 1950s’ " Aesthetic Grand Discussion" is not as Li said a pure academic phenomenon but a kind of refraction of the power discourse in that era.In this way,the innovation of Li Zehou’s Practical Aesthetics shows its historical limitations and complexities.