从诗意的想象到诗意的具像--浅谈"意象修辞"手法在电视文学中的运用

电视学是将学和电视巧妙的结合,通过电视化的手段对学作品进行二度创作的产物。但画面语言与字语言的巨大差异使电视要完成本的诗意到镜头的诗意,实现诗意的想象到诗意的具像的转换变得非常困难。因此运用“意象修辞”的艺术手法,充分发挥电视自身的优势来实现电视学传播效果的最佳化是一条有效的途径。笔从受众理论和接受美学的视界出发,结合电视散《大树下的春草》和电视抒情长诗《狂雪》中对“意象修辞”手法在电视学中的成功运用的详尽阐述,论述了这一手法的独到性和有效性。

From Poetic Imagination to Concrete Imagination--the Application of the Rhetorical Method of "Imagery" in TV Literature

TV Literature is a product that TV and literature combined ingeniousl y. By the application of TV skills, literature will be created in the second t ime .But the difference between TV and literary language make the transform that from Poetic imagination to Concrete imagination very difficult. For this reason ,it is a good way to apply the rhetorical method of "Imagery" in TV literatu re to improve the effect of communication. Under the background of the theory ab out "audience" and the "Acceptable Aesthetics",with two examples: TV prose Chuncao under the Tree and TV poem Crazy Snow,the paper expound the important significance of the rhetorical method in TV literature.