论关汉卿杂剧的时间处理

舞台时空问题是戏剧艺术的灵魂。中国戏曲和西方戏剧在表演形式和作品结构方面,之所以差别这么大,本质上是由于对时空处理采用不同方式所致。追溯中国戏曲的时空处理方式,理所当然的首先是对元杂剧中时空处理的研究。虽然南戏已经是一种成熟的戏剧样式,但总体上还比较粗疏幼稚。而元杂剧中最有代表性的作家则首推关汉卿。在元代众多杰出的杂剧作家中,关汉卿可以说是其中的佼佼者。他的名望无论是在当时,还是在后世,乃至当代都是一座历史的丰碑。他多产而高质的剧作、作品中表现出的高超的编剧技巧、作品思想内容的进步性,都代表着元代杂剧整体创作的发展,达到了辉煌的历史顶点。

Time-treating Skills in Zaju of GUAN Han-qing

Time and special problems are the soul of the arts of opera.The reason why Chinese opera and Western opera vary so much in the form of acting and patterns are mainly because the authors adopt different time-treating and special-treating patterns.To study time-treating and special-treating patterns in Chinese opera we should first turn to Zaju of Yuan Dynasty.Among the galaxy of Zaju play wrights,GUAN Han-qing is one of the most brilliant person.His fame remains a historic monument even to this day.His high-quality works,excellent skills of writing plays and marvelous content of the works symbolize the improvement of the whole Zaju of Yuan Dynasty.