| 经学元典与古代艺术创作论 |
| |
| 引用本文： | 任鸣.经学元典与古代艺术创作论[J].韶关学院学报,2010,31(5):131-134. |
| |
| 作者姓名： | 任鸣 |
| |
| 作者单位： | 徐州师范大学,文学院,江苏,徐州,221005 |
| |
| 基金项目： | 江苏省教育厅高校哲学社会科学基金项目 |
| |
| 摘 要： | 中国古代艺术创作论的生成,受《乐记》和《周易》等儒家经学元典的思想影响。《乐记》提出的感物→心动→乐成的音乐创作原理,构成了古代艺术创作论的基本框架。《周易》提出的＂观物取象＂、＂立象尽意＂等哲学命题,完全适用于艺术创作,揭示了艺术创作的内在规律,因而构成了古代艺术创作的基本原则。《乐记》、《周易》的这些理论不但对古代艺术创作具有重要意义,而且在今天仍然具有非常重要的实用价值。
|
| 关 键 词： | 经学元典 古代艺术 创作论 |
On Confucian Classics and the Ancient Artistic Creation |
| |
| REN Ming.On Confucian Classics and the Ancient Artistic Creation[J].Journal of Shaoguan University(Social Science Edition),2010,31(5):131-134. |
| |
| Authors: | REN Ming |
| |
| Institution: | REN Ming(Literature Institute,Xuzhou Normal University,Xuzhou 221116,Jiangsu,China) |
| |
| Abstract: | The formation of ancient Chinese art is influenced by the ideology of ‘Music’、‘Zhou Yi’ and other confucian classics.Music creation principle： the feeling,being moved and so the music,which is proposed in ‘Music’ constituted the framework of music creation.The philosophy propositions put forward in ‘Zhou Yi’,such as： getting something by observing the nature,and then expressing it clearly,promulgated the inherent laws of the artistic creation.The theories of ‘Music’ and ‘Zhou Yi’ are not only significant to the ancient art creation,moreover,it still has important value today. |
| |
| Keywords: | confucian classics ancient art artistic creation |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
