| 表演的散文--谈余秋雨散文创作的剧场意识 |
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| 引用本文： | 谢燕红,李刚.表演的散文--谈余秋雨散文创作的剧场意识[J].新余高专学报,2004,9(4):52-54. |
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| 作者姓名： | 谢燕红 李刚 |
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| 作者单位： | 1. 苏州大学文学院,江苏,苏州,215006
2. 江苏技术师范学院,江苏,常州,213000 |
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| 摘 要： | 体裁的分类并没有一个绝对的界限，文学作品的创作往往由于体裁审美方面的模糊性而呈现独特的景观，获得意想不到的接受效果。在余秋雨的散文创作中，这种模糊性表现得亦尤为明显。余秋雨把戏剧创作的手法融入散文的写作中，从而在散文文本中呈现了一个丰富多彩的剧场世界。
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| 关 键 词： | 余秋雨 散文 剧场意识 |
| 文章编号： | 1008-6765(2004)04-0052-03 |
| 修稿时间： | 2004年6月7日 |
Prose of performance--Yu Qiuyu's theatre consciousness of prose writing |
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| XIE Yan-hong,LI Gang.Prose of performance--Yu Qiuyu''''s theatre consciousness of prose writing[J].Journal of XinYu College,2004,9(4):52-54. |
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| Authors: | XIE Yan-hong LI Gang |
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| Institution: | XIE Yan-hong1,LI Gang2 |
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| Abstract: | The classification of styles has no absolute bounds. The creation of literary works presents unique feature because of ambiguity of aesthetic aspect of style and obtains unexpected acceptable effect. In Yu Qiuyu's creation of prose, the ambiguity is obvious. He mixed the writing skill of dramas into the prose writing and presented colorful theatre world in the prose. |
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| Keywords: | Yu Qiuyu Prose Theatre consciousness |
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