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论六朝书牍文的骈化及其艺术得失
引用本文:陈鹏. 论六朝书牍文的骈化及其艺术得失[J]. 大庆师范学院学报, 2009, 29(2)
作者姓名:陈鹏
作者单位:河南师范大学,文学院,河南,新乡,453002
摘    要:两汉书牍文已成为私人交往的一种独立文体。受时代风气的影响,曹魏文人的书牍文逐步骈化。此后,虽然越来越多的文人用骈体写书牍文,但散体书牍仍然占有一定的比例。北魏早期的统治者汉化程度很低,自然不利于书牍文的发展。北朝后期已出现较多的骈体书牍。六朝骈体书牍文主要有两类风格,一类悲凉沉郁,一类潇洒自然。

关 键 词:六朝  书牍文  书牍的起源  骈体化  艺术得失

Research on Parallel Style and Artistic Gain and Loss of Epistolary Writing during Six Dynasties
CHEN Peng. Research on Parallel Style and Artistic Gain and Loss of Epistolary Writing during Six Dynasties[J]. Journal of Daqing Normal University, 2009, 29(2)
Authors:CHEN Peng
Affiliation:School of Literature;Henan Normal University;Xinxiang 453002;China
Abstract:The epistolary writing has become one independent genre for private association in Two Han Dynasties and gradually been a parallel style under the influence of social atmosphere in Wei Dynasty.Afterwards more and more literati indited epistolary writing in antitheses,but the prosaic still hold certain proportion.The rulers of early Wei Dynasty had little culture of Han,which wasn’ tpropitious for the development of epistolary writing.There are more epistolary writings in antitheses in later Northern dynasties.The antitheses epistolary writing has two main styles:one kind is sad and contemplative,the other is degage and natural.
Keywords:epistolary writing  origin of epistle  parallel style  artistic gain and loss  Six Dynasties  
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