| 史诗时代的抒情声音——江文也的音乐与诗歌 |
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| 引用本文： | 王德威. 史诗时代的抒情声音——江文也的音乐与诗歌[J]. 杭州师范学院学报(社会科学版), 2011, 33(1) |
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| 作者姓名： | 王德威 |
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| 作者单位： | 哈佛大学东亚系,美国波士顿,02138 |
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| 摘 要： | 江文也的音乐、诗歌和乐论应当被视为20世纪三四十年代中国抒情话语的一部分.他构想现代音乐与诗歌的方式引导我们思考一个更为宽广的课题,即抒情想象与现代性的关联.一般认为,20世纪中国文学的典范不外革命与启蒙,而抒情话语要么被贬为与时代的历史意识无关,要么被看作现实主义律令以外的小道.这是一种误解.无论作为一种文类特征,一种美学观照,一种生活风格,甚至一种政治立场,抒情都应当被看作是中国文人和知识分子面对现实、建构另类现代视野的重要资源.
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| 关 键 词： | 抒情 现代性 革命 江文也 |
The Lyrical in Epic Time:Jiang Wenye's Music & Poetry |
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| WANG,David Der-wei. The Lyrical in Epic Time:Jiang Wenye's Music & Poetry[J]. Journal of Hangzhou Teachers College(Humanities and Social Sciences), 2011, 33(1) |
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| Authors: | WANG David Der-wei |
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| Affiliation: | WANG,David Der-wei(Department of East Asian Languages and Civilizations,Harvard University,Bostom 02138,USA) |
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| Abstract: | Jiang Wenye's music,poetry and musical theory should be seen as part of the 1930-40s' Chinese lyrical discourse.His conception of modern music and poetry invites us to reflect on a much broader issue.That is the relatedness between lyrical imagination and modernity.Generally,the paragon of twentieth-century Chinese literature is claimed to attach much importance to revolution and enlightenment,and lyrical discourse is weakened as a bypath,which either has nothing to do with historical consciousness of the t... |
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| Keywords: | lyrical modernity revolution Jiang Wenye |
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