| 论“陌生化”与文学的审美张力 |
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| 引用本文： | 蓝利萍.论“陌生化”与文学的审美张力[J].广西民族大学学报,2006(5). |
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| 作者姓名： | 蓝利萍 |
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| 作者单位： | 广西忻城人河池学院中文系 |
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| 摘 要： | 文学创作的“陌生化”手法使得文学作品具有无穷无尽的审美张力;陌生化使文学典型的欣赏活动出现“一千个读者就有一千个哈姆莱特”的现象;陌生化使读者进入审美意境时看见更多的像外之像,读出更多的言外之意,听到更多的弦外之音;陌生化使受众在解读象征意象时得到多方面的艺术享受和人生启迪。
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| 关 键 词： | 陌生化 张力 典型人物 审美意境 象征意象 |
On Unfamiliarization and Aesthetic Flexibility of Literature |
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| LAN Li-ping.On Unfamiliarization and Aesthetic Flexibility of Literature[J].Journal of Guangxi University For Nationalities(Natural Science Edition),2006(5). |
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| Authors: | LAN Li-ping |
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| Abstract: | The unfamiliarization technique in literary writing offers literary works endless aesthetic flexibility. Unfamiliarization brings about the result that one thousand readers perceive Hamlet in one thousand different ways, thus unfamiliarization makes the readers see more, read more and get more than what is expressed. The readers can get diversified artistic enjoyment and enlightenment by interpreting the symbolic meanings in literary works. |
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| Keywords: | unfamiliarization flexibility typical character artistic conception symbolic meaning |
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