| 郑板桥书论思想初探 |
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| 引用本文： | 秦金根. 郑板桥书论思想初探[J]. 重庆三峡学院学报, 2004, 20(4): 92-94 |
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| 作者姓名： | 秦金根 |
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| 作者单位： | 安徽美术出版社,安徽,合肥,230063 |
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| 摘 要： | 郑板桥的书论,虽然没有形成体系,但其中有很多真知灼见.在继承与创新问题上,他主张"师法古人,变化在我",重视继承,更强调创新;在碑、帖问题上,他通过对二者的比较重新审视碑刻书法的艺术价值;在书画关系问题上,他主张"书画同源";在审美观念上,他认为美与丑可以相互转换.
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| 关 键 词： | 继承 创新 碑帖 书画 美丑 郑板桥 书论 思想 Zheng Theory 转换 美与丑 审美观念 书画同源 书画关系 艺术价值 碑刻书法 比较 创新问题 变化 古人 师法 形成体系 |
| 文章编号： | 1009-8135(2004)04-0092-03 |
| 修稿时间： | 2004-02-08 |
On Zheng Banqiao''''s Thought on Calligraphic Theory |
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| QIN Jin-gen. On Zheng Banqiao''''s Thought on Calligraphic Theory[J]. JOurnal of Chongqing Three Gorges University, 2004, 20(4): 92-94 |
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| Authors: | QIN Jin-gen |
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| Abstract: | Not having formed a system, Zhengs calligraphic theory is of much real knowledge and deep insight. In inheriting and origination, he holds Learn calligraphy from the ancient and change it by oneself, attaches much importance to inheriting, and especially emphasizes origination. In stone tablets with book models, he, by comparison, re-examines the artistic value of tablet carving and calligraphy; in their relationship, he holds that calligraphy and painting are of the same source; in aesthetic perception, he thinks that beauty and ugliness can be converted into each other. |
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| Keywords: | inhering origination stone tablets and book models calligraphy and painting beauty and ugliness |
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