| "泥泥狗"作为文化符号和审美元素的解读 |
| |
| 引用本文： | 张鹏."泥泥狗"作为文化符号和审美元素的解读[J].洛阳大学学报,2007,22(1):98-100. |
| |
| 作者姓名： | 张鹏 |
| |
| 作者单位： | 郑州牧业工程高等专科学校,河南,郑州,450011 |
| |
| 摘 要： | 从"泥泥狗"造型、色彩和纹饰特点等方面分析了被称为华夏文明的"活化石"、"真图腾"的"泥泥狗",认为其不仅具有独特的文化美,而且还是远古人类繁衍崇拜的物化和象征.
|
| 关 键 词： | 泥泥狗 伏羲氏 陈州 繁衍崇拜 真图腾 活化石 拙朴 |
| 文章编号： | 1007-113X（2007）01-0098-03 |
| 收稿时间： | 2007-01-12 |
| 修稿时间： | 2007年1月12日 |
An Interpretation of "Clay Dog" as the Cultural Signal and Aesthetic Element |
| |
| ZHANG Peng.An Interpretation of "Clay Dog" as the Cultural Signal and Aesthetic Element[J].Journal of Luoyang University,2007,22(1):98-100. |
| |
| Authors: | ZHANG Peng |
| |
| Abstract: | "Clay dog",regarded as the "living fossil" and "true totem" of ancient Chinese civilization,not only has its special cultural beauty,but also is taken as the token and symbol of human reproduction worship in remote antiquity. |
| |
| Keywords: | clay dog FU Xi worship of reproduction true totem living fossil simple and unadorned |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
