| 音乐审美的镜像时空观 |
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| 引用本文： | 崔宁.音乐审美的镜像时空观[J].杭州师范学院学报(社会科学版),2008,30(2):114-118. |
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| 作者姓名： | 崔宁 |
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| 作者单位： | 杭州师范大学,文化传播研究所,浙江,杭州,310036 |
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| 摘 要： | 人类的音乐审美活动实际上衍生了一个虚拟的镜像时空，它由审美主体、主体间性/间位主体和审美客体所构成，彼此能够进行交目，性的对象表征与价值映射，且与镜外的现实世界发生坐标转换与兼容混成。凭借镜像平台，主体可以从容展开历时空、共时空和超时空的价值体验，能够摄取形而下、形而中和形而上的妙象奥理，还能借此创构感性化的审美表象、知性化的范畴概象和理性化的观念意象。
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| 关 键 词： | 音乐美学 镜像时空 主体间性 |
| 文章编号： | 1674-2338(2008)02-0114-05 |
| 修稿时间： | 2007年11月20 |
On the Space-and-Time in Mirror Mapping of the Aesthetic Cognition of Music |
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| CUI Ning.On the Space-and-Time in Mirror Mapping of the Aesthetic Cognition of Music[J].Journal of Hangzhou Teachers College(Humanities and Social Sciences),2008,30(2):114-118. |
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| Authors: | CUI Ning |
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| Institution: | CUI Ning (Institute of Cultural Dissemination Studies, Hangzhou Normal University, Hangzhou 310036, China) |
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| Abstract: | There is space-and-time in mirror mapping of value character among the subject,inter-subject and object in the aesthetic cognition of music,in which humans occupy a multiple space-and-time and under the integrated three kinds of circumstances including the past,co-existing and transcended experiences.Meanwhile,the subject can obtain the sub-physical,isophysical and metaphysical images that embody the aesthetic value consisting of the subject,inter-subject and object. |
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| Keywords: | aesthetics of music space-and-time the inter-subject |
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