从《卫风·氓》、《邶风·谷风》看《诗经》的弃妇诗

《卫风·氓》和《邶风·谷风》是《诗经》中两篇有代表性的弃妇诗。经济地位的改变、礼法制度的束缚和男子的喜新厌旧是弃妇诗产生的社会根源。弃妇形象的相同点在于都是勤劳、善良、温柔、恪守妇道的贤妻,不同点在于《邶风.谷风》中人物顺从软弱,《卫风.氓》中的人物则开始觉醒,逐渐走向自强自立。对比衬托,形象栩栩如生;叙事为主,间以抒情和议论;借景抒情,善用比兴手法;诗风纯朴,色调哀婉动人等构成了弃妇诗的艺术特色。

Appreciation of poems on deserted wives in The Book of Songs based on Weifeng Meng and Beifeng Gufeng

Weifeng Meng and Beifeng Gufeng are two representative poems in The Book of Songs.The changed financial positions,fetters of ritual law and the fickleness of husbands are social roots of Poems on Deserted Wives.Wives in those poems are all diligent,good and gentle,and virtuous.The difference is that characters in Beifeng Gufeng tend to be obedient and weak,while from Weifeng Meng we can see the awakening of the deserted wives and their self-reliance and self-improvement.Lifelike images and setting off by contrast are typical of Poems on Deserted Wives,which are also characterized by combination of narration and emotion expression with argumentative techniques.Poets are good at parallels comparison and expressing feeling by depicting landscape,which gives Poems on Deserted Wives a unique style of simplicity and pathetic tone.Sentences contain impassioned rhetoric and beautiful language.