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以赋为主体的理论归结——论《文赋》的思想主旨
引用本文:张敏杰.以赋为主体的理论归结——论《文赋》的思想主旨[J].井冈山学院学报,2007,28(1):47-51.
作者姓名:张敏杰
作者单位:首都师范大学文学院 北京100037
摘    要:西晋的辞赋创作极为兴盛。陆机把赋的表现领域拓展到诗赋创作自身,以赋体的形式呈现出这一时期亟待解决的文学理论问题。《文赋》论述的对象是以诗赋为主的文学创作群体,而辞赋在他们的创作中占有重要地位。陆机结合自己创作心得对汉魏以来的诗赋特别是辞赋的创作进行理论上的总结,并调适了诗、赋两大传统之间的紧张关系。

关 键 词:文体  “才士”  诗赋传统  “体物”
文章编号:1673-4718(2007)01-0047-05
修稿时间:2006年8月30日

Theorizing Chiefly of the Literary form of Fu: on the Major Idea of Wen Fu
ZHANG Minjie.Theorizing Chiefly of the Literary form of Fu: on the Major Idea of Wen Fu[J].Journal of Jinggangshan University,2007,28(1):47-51.
Authors:ZHANG Minjie
Abstract:Luji's Wen Fu expressed his literary theory and criticism in the form of fu,a prose writing style prevailing during the Han Dynasty and the Southern and Northern Dynasty.Literature especially poetry and fu of Wei and Jin Dynasty was flourish,Wen Fu discoursed upon the writers who gave priority to the literature creation of fu mostly.Luji made a summary of poetry and fu creation in theory through what he has learned form his experience and the others.The two traditions of poetry and fu were to be adjusted to that time.
Keywords:literary form  "cai shi"  traditions of poetry and fu  "ti wu"
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