文化美学视野与中西方古典美学批判

21世纪,美学发展的前景是文化美学。从文化美学视野反思中西方古典美学的文化特征,对于美学的发展具有重要意义。本文认为：作为一种思辩美学,西方古典美学的终结,根源在于其文化母体内部包含个体认识与历史价值之间的矛盾;而中国古典美学则是一种古典形态的文化美学,它以人生存于其中的世界是如何存在的为基本问题,以“道”（气）、“有”、“无”、“情”、“景”、“和”及“象”等为基本范畴,形成完整的理论框架,这一古典文化美学源于老子、孔子、《易经》,成熟于王夫之、叶燮、终结于19-20世纪西方异质文化的介入。它的终结是21世纪文化美学的诞生必须付出的历史文化代价,它曾经存在的境界则是迎接21世纪文化美学诞生的一个神奇的预言！

Critique of Chinese & Western Classical aesthetics From the Ken of Cultural Aesthetics

The prospects of the development of aesthetics in the 21 st century lie in cultural aesthetics.It is of great significance to the development of aesthetics to rethink the cultural character of Chinese & Western classical aesthetics from the ken of cultural aesthetics.This paper holds that as the aesthetics of logical derivation,the end of Western classical aesthetics stemmed from the contradiction between the individual recognition within the interior of the culture itself and the historical value;while Chinese classical aesthetics is a cultural aesthetics of the classical form.Its basic question is how the world exists where human beings live.The basic category includes"Tao(general law)"chi(original substance)];"yu(Being)","wu(non-being)";"ching(feeling)","jing(scene)";"ho(harmony)";"hsiang(image)"and so on,which formed the whole theoretical structure.The classical cultural aesthetics originated from Laozi,Confucius and "Book of Changes",and Wang Fuzhi and Ye Xie made it mature.Its final stage came in the 19 th and 20 th centuries when the different culture in the West was introduced.Its end became the necessary cost of the historical culture when the cultural aesthetics of the 21 th century was born,but its ex-existence was a miraculous prophecy to greet the birth of the cultural aesthetics of the 21 th century.