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两个对峙而互补的艺术形象——郭沫若《凤凰涅槃》与鲁迅《阿Q正传》形象比较分析
引用本文:蒋道文.两个对峙而互补的艺术形象——郭沫若《凤凰涅槃》与鲁迅《阿Q正传》形象比较分析[J].攀枝花学院学报,2009,26(1).
作者姓名:蒋道文
作者单位:康定民族师范高等专科学校教育系,四川康定,626001
摘    要:中国现代文学人物画廊中有两个表面对立却相互补充的艺术形象,在五四时代的中国社会产生了极大反响.从一个时代文学的联系性与整体性来说,这样就形成了两个对峙而互补的艺术形象,合起来审视,恰好构成相反相成的艺术统一体,同时反映着社会生活中人性的两面,从而加深我们对人由表及里的更深认识.

关 键 词:对峙  互补  艺术形象  比较分析  更生与死灭  悲剧与喜剧

Confrontations and Complements between Two Images——Comparative analysis of phoenix's nirvana and The True Story of Ah Q
JIANG Dao-wen.Confrontations and Complements between Two Images——Comparative analysis of phoenix''s nirvana and The True Story of Ah Q[J].Journal of Panzhihua University,2009,26(1).
Authors:JIANG Dao-wen
Institution:Education Department;Kangding Teachers' College;Kangding 626001;Sichuan
Abstract:In modern Chinese literature,two images which seem to be superficially opposite but actually complementary brought reverberation to China in the May the Fourth Movement of 1919. In fact these two images are supplement to each other in its entirety from the holistic and coherent perspective of literature. Moreover,the two sides of human nature reflected through these images lead to a deeper understanding of human being.
Keywords:confrontation  complement  artistic images  comparative analysis  regeneracy and death  tragedy and comedy  
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