| 古代戏曲脚色理论述略 |
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| 引用本文： | 陈志勇,殷燕子.古代戏曲脚色理论述略[J].咸宁学院学报,2005,25(1):28-32. |
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| 作者姓名： | 陈志勇 殷燕子 |
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| 作者单位： | 咸宁学院,中文系,湖北,咸宁,437005 |
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| 摘 要： | 戏曲脚色理论是我国古代戏剧理论的重要组成部分，虽然它是零散而不成体系的，但应给予它足够的关注。本文从脚色的源起与发展的探讨；脚色对象化的伦理判断理论；脚色剧场扮演的实践理论等三个方面对古代戏曲脚色理论进行了梳理，并试图归纳出脚色理论发展的一般性规律。
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| 关 键 词： | 古典戏曲 脚色理论 规律 |
| 文章编号： | 1006-5342(2005)01-0028-05 |
Discuss the Theory of the Ancient Opera Character |
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| CHEN Zhi-yong,YIN Yan-zi.Discuss the Theory of the Ancient Opera Character[J].Journal of Xianning College,2005,25(1):28-32. |
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| Authors: | CHEN Zhi-yong YIN Yan-zi |
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| Abstract: | Opera character theory is one of most important theory of our ancient opera.Although it'scrappy and unsystematic,we should take notice of it.This thesis has discussed on the archaic character's theory from three aspects:Character's origin and development ;Ethics estimation on characters;Character's theatre actions theory.The artile tries to infer the character theory's regularity. |
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| Keywords: | The ancient opera Character theory Regularity |
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