| 重论汤显祖《牡丹亭》之音律及"汤沈之争"的曲学背景 |
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| 引用本文： | 陈伟娜,刘水云.重论汤显祖《牡丹亭》之音律及"汤沈之争"的曲学背景[J].温州大学学报(自然科学版),2005,26(4):34-41. |
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| 作者姓名： | 陈伟娜 刘水云 |
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| 作者单位： | 1. 广西师范大学中文系,广西,桂林,541004
2. 温州师范学院人文学院,浙江,温州,325035 |
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| 摘 要： | 《牡丹亭》的音律问题直接引发了明代戏剧史上所谓的“汤、沈之争”。由于忽视对该剧音律的探讨,导致人们对这场争论至今尚无合理的解释。汤显祖在《牡丹亭》的用韵、格律、宫调等方面,既有合理的运用规则,也有随意的破坏成例。“汤沈之争”暴露了明清戏曲家对戏曲音律认识的不足。
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| 关 键 词： | 牡丹亭 汤沈之争 音律 曲学背景 |
| 文章编号： | 1006-0375(2005)04-0034-08 |
| 修稿时间： | 2005年3月7日 |
A Review of Temperament in Pavilion of Peony and the Role of Traditional Chinese Opera in "Dispute between Tang Xianzhu and Shen Jing" |
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| CHEN Wei-na,LIU Shui-yun.A Review of Temperament in Pavilion of Peony and the Role of Traditional Chinese Opera in "Dispute between Tang Xianzhu and Shen Jing"[J].Journal of Wenzhou University Natural Science,2005,26(4):34-41. |
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| Authors: | CHEN Wei-na LIU Shui-yun |
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| Institution: | CHEN Wei-na1,LIU Shui-yun2 |
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| Abstract: | The problem of temperament is the immediate cause of the dispute between Tang Xianzhu and Shen Jing, two famous playwrights in Ming Dynasty. So far, due to the ignorance of temperament employed in the play entitled Pavilion of Peony, no scientific understanding of the dispute has been achieved among the scholars. In this play, Tang Xianzhu both adhered to the rules and made some arbitrary violations in terms of rhyming, metrical patterns and modes of music. Actually, the dispute reveals the insufficient knowledge of the playwrights in Ming and Qing Dynasties about temperament in traditional Chinese opera. |
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| Keywords: | Pavilion of Peony the dispute between Tang and Sheng temperament traditional Chinese opera |
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