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少数民族民歌研究的艺术人类学意义
引用本文:范秀娟. 少数民族民歌研究的艺术人类学意义[J]. 杭州师范学院学报(社会科学版), 2006, 28(6): 68-71
作者姓名:范秀娟
作者单位:复旦大学,中文系,上海,200433
摘    要:研究少数民族民歌具有重要的艺术人类学意义。它有利于新兴的艺术人类学摆脱传统美学对精英艺术的过度关注和对民间艺术、群众性艺术漠视的狭窄思想束缚,拓宽美学研究的视野和领域,使美学得到民间审美经验和大众审美经验的启发、汲取边缘文化的活力和来自听觉艺术的审美经验,从而弥合美学与草根文化之间的裂痕,激活中国美学对本土艺术与现实文化的理性思考。

关 键 词:艺术人类学  少数民族民歌  民间艺术  听觉艺术
文章编号:1000-2146(2006)06-0068-04
修稿时间:2006-10-25

Artistic Anthropological Significance of National Minority Folk Song Studies
FAN Xiu-juan. Artistic Anthropological Significance of National Minority Folk Song Studies[J]. Journal of Hangzhou Teachers College(Humanities and Social Sciences), 2006, 28(6): 68-71
Authors:FAN Xiu-juan
Abstract:This article holds the position that the studies on national minority folk songs has important artistic anthropological significance,and that it is advantageous to the emerging artistic anthropology to get rid of the excessive attention to the elite art and the ignorance of the folk art and mass art in Chinese traditional aesthetics.This can further open up the vision and domain of aesthetic research,to enable aesthetics to be enlightened by aesthetic experiences from the folk and populace.In absorbing the vigour of the marginal culutre and aesthetic experience from the auditory art,the gap between aesthetics and grassroots culture can be narrowed and Chinese aesthetics inspired to reflect rationally on native art and realistic culture.
Keywords:art anthropology  minority folk song  folk art  auditory art
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