近30年“虚实”范畴研究述评

“虚实”是中国古典美学和文论中的核心元范畴，它辐射到世界、作家、文本和读者四大层面，涵盖了文学、绘画、书法等不同艺术门类，具有广泛的应用性和极强的生命力。近30年来，不同学人从哲学、美学、文学、艺术、个案及中西比较等方面进行了广泛而深入的研究，在取得成果的同时，也存在着一些问题：研究眼光短缺，盲目重复撞车；缺乏对虚实范畴与文学创作实践的关系研究；对两种指向之间关系缺乏科学认识；中西比较时，忽视了各种范畴术语背后的文化的差异；等等。

A Review and Comment on the Category of Subjectivity and Objectivity during the Past 30 Years

The category of subjectivity and objectivity is a nucleus one in Chinese classical aesthetics and literary review. It radiates to four aspects of arts： world, writer, text and reader. And it covers different kinds of arts： literatures, drawings, handwriting and so on. All these reveal that it has broad application range and strong life. During the past 30 years, different scholars have carried out broad and thorough researches on this subject from many aspects： such as philosophy, aesthetics, arts, case study, Chinese and Western comparison, etc. Although we have gotten great achievements, there still exist problems such as short - sightedness of study, blind repetition, lack of deep study of the relation between this category and literary creation, lack of an scientific understanding of the relation between subjectivity and objectivity, ignorance of various cultural difference behind various terms in Chinese and Western comparison.