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在差异中融合——中西美术方法比较
引用本文:刘巧琴. 在差异中融合——中西美术方法比较[J]. 枣庄师专学报, 2006, 23(6): 103-106
作者姓名:刘巧琴
作者单位:曲阜师范大学音乐学院 山东日照276826
摘    要:中西方美术彼此互为参照,比较两者的同中之异和异中之同,不仅可以从中更好地了解西方艺术,而且也能从一个新的视角重新认识本民族的传统艺术,一些被认为是互相对立的双方,诸如中西方美术的审美意识、选题与表现方式、中西方绘画特色、中西方色彩观念等方面,实则可以产生出情感与语言的共鸣,促进双方之间的了解与融合。

关 键 词:美术  审美意识  契合点  色彩
文章编号:1004-7077(2006)06-0103-04
收稿时间:2006-09-18
修稿时间:2006-09-18

By China and the West Fine Arts Method Comparison
LIU Qiao-qin. By China and the West Fine Arts Method Comparison[J]. Journal of Zaozhuang Teachers' College, 2006, 23(6): 103-106
Authors:LIU Qiao-qin
Affiliation:Qufu Normal University, Music College, Rizhao 273165, China
Abstract:The China and the West fine arts comparison,its connotation with the center west culture origin,national esthetic consciousness,the worldview and the epistemology is closely linked,some looked resembles both sides which disobeys,such as center the western esthetic frame,the selected topic and the expression way,center the western drawing characteristic,center western coolor idea and so on,actually has more agreeing without consultation in the pursue harmonious ideal and the human e- motion aspect,seeks,excavates the western fine arts same center different and different center with,has the positive widespread significance regarding the chinese present age cultural reconstruction
Keywords:china and the West fine arts comparison  different Esthetic frame  conjunction spot Blends  anifestation  olor view  
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