| 王维山水诗疏笔技法的表现 |
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| 引用本文： | 赖建文. 王维山水诗疏笔技法的表现[J]. 江西科技师范学院学报, 2001, 0(4): 14-17 |
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| 作者姓名： | 赖建文 |
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| 作者单位： | 南昌市工人业余大学 330046 |
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| 摘 要： | 王维是我国唐代著名画家、诗人,笃信禅学,是“南宗”画派的创始人。其山水诗在唐代诗坛独树一帜,形成了一个艺术门派。其以中国绘画中疏笔的理论和表现技术入诗,使其山水诗深含“闲逸、静默、淡泊、深远”的特点,具有“冲而弥和,淡而弥旨”的意境。
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| 关 键 词： | 疏笔 删繁就简 相似性选择 遗貌取神 王维 山水诗 唐代诗歌 |
On Wang Wei's Loose Writing Skills in Scenic Poems |
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| Lai Jianwen. On Wang Wei's Loose Writing Skills in Scenic Poems[J]. Journal of Jiangxi Science & Technology Normal University, 2001, 0(4): 14-17 |
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| Authors: | Lai Jianwen |
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| Abstract: | Wang Wei,a famous painter and poet in Tang Dynasty,believing in Buddhism,was a creator of "Nan Zong"drawing sect. His scenic poems had a special characteristics and formed an art sect. His application of the loose skills and theory in painting to his writing made his poems carefree,silent,indifferent and penetrating |
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| Keywords: | loose skills condense similarity selection refreshing two dimensions says three dimensions. |
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