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文人画价值简论
引用本文:朱桂新. 文人画价值简论[J]. 韶关学院学报, 2004, 25(10): 134-135
作者姓名:朱桂新
作者单位:韶关学院,美术系,广东,韶关,512005
摘    要:中国古代文人画以古代文人“士大夫”为主体,推崇作品的文学性、娱乐性和神似观。随着时代更迭,文人士大夫的身份已经变得模糊,而文人画派那种返璞归真、摒弃华艳、大巧若拙、脱俗取真及作者必备多方面文化素养的独特体现,被职业画家与爱好者视为终身追求。文人画是一个没有固定成法、紧随时代风貌从而在中国绘画史中独树一帜的艺术典范。

关 键 词:中国美术史 人文画 美学意蕴
文章编号:1007-5348(2004)10-0134-02
修稿时间:2004-06-24

On the Value of Literate Painting
ZHU Gui-xin. On the Value of Literate Painting[J]. Journal of Shaoguan University(Social Science Edition), 2004, 25(10): 134-135
Authors:ZHU Gui-xin
Abstract:Chinese ancient painters were mostly literati and they inthroned the characteristic of opuses on literature, entertainment and verve similarities. With times went by, their identities have become blurred. But their versatile qualities and features of nature, simplicity, art and realism embodied in their paintings have been followed by many contemporary professional painters and painting lovers for lifetime. Consequently, we know that ancient literate painting is a unique art modei in the painting history of China without constant formula and marked by times.
Keywords:history of chinese fine art  Literate painting  aesthetics meaning
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