| 简论中国绘画和戏曲美学思想的一致性 |
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| 引用本文： | 严以健.简论中国绘画和戏曲美学思想的一致性[J].盐城工学院学报(自然科学版),2001,14(2):75-78. |
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| 作者姓名： | 严以健 |
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| 作者单位： | 盐城鲁迅艺术学校，江苏盐城224002 |
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| 摘 要： | 中国绘画和戏曲，虽属不同门类的艺术，但所体现的“观物取象”的审美观照，“写意”“摹情”的艺术观，“传神”的审美追求，“意象”的形象思维，“虚实相生”的手法等民族美学思想是一致的。
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| 关 键 词： | 中国绘画 戏曲 美学思想 一致性 艺术观 审美追求 形象思维 |
On Agreement Of Aesthetics Thoughts of Chinese Painting And Drama |
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| YAN Yi-jian,Yancheng Luxun's Art School JiangSu Province,Jiangsu Yancheng ,PRC.On Agreement Of Aesthetics Thoughts of Chinese Painting And Drama[J].Journal of Yancheng Institute of Technology(Natural Science Edition),2001,14(2):75-78. |
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| Authors: | YAN Yi-jian Yancheng Luxun's Art School JiangSu Province Jiangsu Yancheng PRC |
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| Institution: | YAN Yi-jian,Yancheng Luxun's Art School JiangSu Province,Jiangsu Yancheng 224002,PRC |
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| Abstract: | Although they belong to different kinds of art, Chinese painting and drama reflect the unanimous aesthetic standards, artistic viewpoint, aesthetic chase, thinking in terms of images, and natural aesthetics thoughts. Such as observing things and expressing the feeling in artistic forms, freehand sketch and imitation, lifelike, images, void be opposite reality. |
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| Keywords: | Chinese painting drama aesthetic thoughts agreement |
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