| 羌姆表演中的艺术特征 |
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| 引用本文： | 万代吉. 羌姆表演中的艺术特征[J]. 西藏大学学报, 2010, 25(2): 104-109 |
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| 作者姓名： | 万代吉 |
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| 作者单位： | 西藏大学艺术学院,西藏,拉萨,850000 |
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| 基金项目： | 2009年度国家社科基金艺术学项目"藏族民间祭祀舞蹈研究"，西藏自治区2009年度人文社会科学研究项目"藏传佛教寺院法舞-羌姆研究"阶段性成果 |
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| 摘 要： | 藏传佛教寺院中的祭祀性舞蹈＂羌姆＂。大约在公元8世纪由莲花生大师在主持修筑桑耶寺的过程及开光仪式中所创。藏族传统寺院法舞＂羌姆＂从＂金刚舞＂的传入,在西藏发展了几千年,积极地改革形态,充分吸收苯教仪轨和民间舞蹈形式,使＂羌姆＂更加民族化,与当地文化接壤,集中反映了藏族人民的审美情趣和风俗习惯。它以绚丽的形象宣扬着佛教教理,扩大佛教的影响力。而这绚丽的形象,无论是古朴的舞蹈、诡异的面具,还是华丽的服饰都是藏族文化审美意识、审美理想的体现。
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| 关 键 词： | 羌姆 艺术特征 舞蹈 藏传佛教 |
The Artistic Features of"Cham"Performance |
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| Affiliation: | Wandegyi(School of Art,Tibet University Lhasa,Tibet 850000) |
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| Abstract: | The sacrificial dance ＂Cham＂ in Tibetan Buddhist monasteries was initiated around the 8th century AD by great master Padmasambhava when he presided over the construction of Samye Monastery.It was performed in the opening ceremony of Samye Monastery.Traditional Tibetan monastery Cham Dance developed from Vajra Dance and it gradually integrates with some rituals of Bonism and Tibetan folk dance in its development for thousands of years.It is the main reflection of the Tibetan＇s aesthetic taste and customs and Buddhism idea is expressed in its splendid images.The magnificent images,such as ancient dance,strange masks,ornate costumes,are the representation of Tibetan aesthetics. |
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| Keywords: | Cham artistic features dance Tibetan Buddhism |
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