| 京剧服装中戏曲符号的呈现及美学特征 |
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| 引用本文： | 张犁,程甘霖.京剧服装中戏曲符号的呈现及美学特征[J].西安工程科技学院学报,2014(5):631-635. |
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| 作者姓名： | 张犁 程甘霖 |
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| 作者单位： | 西安美术学院设计系,陕西西安,710065 |
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| 摘 要： | 以京剧服饰艺术性的文本语境为出发点,从美术学角度出发,运用符号学分析方法,探寻了其作为一个符号系统,在色彩、图案、款式上的艺术特点、美学特征及规律.指出京剧服装是京剧舞台人物塑造的重要艺术手段,是中国传统美学的一种存在原则,一种精神实在,一种艺术美学,从而使人们可以更加深入了解京剧服饰的独特魅力.
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| 关 键 词： | 京剧服装 色彩 款式 戏曲符号 服饰美学 |
The presentation of opera symbol and its aesthetic characteristics in Peking opera costume |
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| ZHA NG Li,CHENG Gan-lin.The presentation of opera symbol and its aesthetic characteristics in Peking opera costume[J].Journal of Xi an University of Engineering Science and Technology,2014(5):631-635. |
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| Authors: | ZHA NG Li CHENG Gan-lin |
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| Institution: | (The Department of Design, Xi＇an Academy of Fine Arts, Xi＇an 710065 ,China) |
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| Abstract: | Starting with the Peking opera costumes artistic context,using the semiotics analysis method,the artistic characteristics on the colour,design,style,and the laws of aesthetic characteristics are explored.It is pointed out that Peking opera costume is an important means of art,the Peking opera stage characters is a kind of existence of Chinese traditional aesthetic principle as well as a kind of real spirit and a kind of art aesthetics.Therefore people can understand the unique charm of Peking opera costumes more deeply. |
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| Keywords: | Peking opera costume color style opera symbol costume aesthetics |
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