| 论达·芬奇的"镜子说" |
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| 引用本文： | 顾玉红.论达·芬奇的"镜子说"[J].皖西学院学报,2004,20(6):112-113. |
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| 作者姓名： | 顾玉红 |
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| 作者单位： | 安徽师范大学,美术学院,安徽,芜湖,241000 |
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| 摘 要： | 通过对达·芬奇"镜子说"的分析,揭示了艺术源于现实高于现实的深刻内涵。"镜子说"完美地表达了艺术和现实之 间的关系。根据此种理论,艺术家的艺术创作应该永远从生活中汲取灵感。
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| 关 键 词： | 达·芬奇 "镜子说" 现实美 |
| 文章编号： | 1009-9735(2004)06-0112-02 |
| 修稿时间： | 2004年7月27日 |
On Leonardo da Vinci's "Mirror Theory" |
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| Gu Yuhong.On Leonardo da Vinci's "Mirror Theory"[J].Journal of Wanxi University,2004,20(6):112-113. |
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| Authors: | Gu Yuhong |
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| Abstract: | After analysing the main elements made by Leonardwda Vinci's "Mirror Theory",the paper tells us the deep connotation that the ares derives from reality,but superior to it. "Mirror Theory" perfectly expresses a kind of relationship between reality and arts. According to the viewpoint of the author,artists should study arts from life for ever. |
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| Keywords: | Leonardo da Vinci Mirror Theory reality beauty |
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