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论90年代中后期文艺上的一种思潮
引用本文:彭礼贤,彭晓农.论90年代中后期文艺上的一种思潮[J].井冈山学院学报,2009,30(7):36-41,56.
作者姓名:彭礼贤  彭晓农
作者单位:井冈山大学,江西吉安343009
摘    要:邓小平在1992年的南巡谈话中明确提出“要警惕右,但主要是防止‘左'”,推动了又一轮思想解放运动的高潮。文艺领域坚持“左”倾观念的一些人耿耿于怀,但与他们90年代初对邓小平理论发展到露骨攻击不同,90年代中后期文艺上的“左”倾思潮具有了新的特点:对邓小平理论大搞“六经注我”的偷粱换柱,以及迂回包抄式否定的翻案手法。其理论武器仍是万变不离其宗的“两个凡是”。

关 键 词:90年代中后期  “左”倾文艺思潮  “六经注我”  迂回包抄  “两个凡是”

On the Literary and Artistic Trend in the Middle and Later half of the 1990s
Institution:PENG Lixian, PENG Xiaolong (Jinggangshan University, Ji'an 343009, China)
Abstract:In one of his South Tour Speeches, Mr Deng Xiaoping pointed out that China should maintain vigilance against the Right but primarily against the "Left", which propelled a new climax of ideological emancipation. Some people held grudge for the fact that the Left thinking took the upper hand in the literary and artistic fields. Differing from the straight forward verbal attacks as the Leftists launched against Deng Xiaoping Theory in the early 1990s, the Left thinking trend tended to have new characteristics in the middle and later half of this decade. The Leftists "stole the beams and pillars and replaced them With rotten timbers" and made great efforts to deny Deng Xiaoping Theory with "Two Whatevers" as their usual fighting weapon.
Keywords:in the middle and later half of the 1990s  leftist ideological trend in the literary artistic fields  bypass  "Two Whatevers"
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