| 中国艺术的禅宗精神 |
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| 引用本文： | 高星海 李尊. 中国艺术的禅宗精神[J]. 鞍山科技大学学报, 2006, 29(4): 409-413 |
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| 作者姓名： | 高星海 李尊 |
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| 作者单位： | 鞍山科技大学政法系,辽宁鞍山114044 |
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| 摘 要： | 中国艺术美学思维方式的形成和发展受到了佛教禅宗非逻辑思维深刻的影响。禅宗之渐顿思维、禅定思维、明心见性说直接作用于中国艺术的创作和审美，形成了中国艺术美学的灵感思维、形象思维、虚静思维、文即心学的思维方式。
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| 关 键 词： | 中国艺术 禅宗 非逻辑思维 |
| 文章编号： | 1672-4410（2006）04-0409-05 |
| 收稿时间： | 2005-10-20 |
| 修稿时间： | 2005-10-20 |
Chan sect spirit in Chinese art |
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| GAO Xing-hai, LI Zun. Chan sect spirit in Chinese art[J]. Journal of Anshan University of Science and Technology, 2006, 29(4): 409-413 |
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| Authors: | GAO Xing-hai LI Zun |
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| Affiliation: | Dept. of Political Science and Law, Anshan University of Sciencc and Technology, Anshan 114044, China |
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| Abstract: | This text thinks the formation of the method of Chinese art esthetics thought with development profound suffered the buddhism to teach the Chan not the influence of the logic thought.The Chan's gradual thought method for artistic for thought,Chan settles the thought,finds the true selfing saying the direct function in Chinese art which becomes the inspiration of the Chinese art esthetics of the thought,image thought,XU JING thought,text namely heart learning. |
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| Keywords: | Chinese art Chan no logic thought |
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